Władysław Mirecki

New Landscape Watercolours

3rd to 26th October 2019

Wednesday to Sunday 10am to 5pm or by appointment

Where enquiries of prices are made on the gallery, the work is subject to availability and the price to change.

Piers Feetham Gallery

475 Fulham Road, London SW6 1HL
020 7381 3031
piersfeethamgallery@hotmail.com
Piers Feetham Gallery normal open hours Tuesday to Friday 10-6; Saturday 10-1

How to reach us

Tube: Fulham Broadway; Buses 14, 414 & 211

Daytime Parking: Pay and Display in local streets or underground in the Chelsea Football Ground directly opposite the gallery.

Evening Parking: All local parking is ‘Residents Only’ between 6.30 and 8pm and a towaway policy is enforced. Please use the underground carpark.

Another empty beach, North Norfolk 2019
Watercolour
40 x 60cm
£1,920
A pond in the woods 2007
Watercolour
113x83cm
£7,500
Another gap in the hedge 2019
Watercolour
56 x 63cm
£2,825
Barn Door 2019
Watercolour (large)
75 x 50cm
£3,000
Barn door VIII 2018
Watercolour
30 x20cm
£480
Barn door X
Watercolour
30 x 20cm
£480
Bull and cow 2017
Watercolour
56 x 60cm
£2,690
Clacton Pier 2018
Watercolour
40 x 87cm
SOLD
Colne Valley 2006
Watercolour
50 x 75cm
£3,000
Concrete and contrails
Watercolour
75 x 50cm
£3,000
Dawn 2019
Watercolour
25 x 40cm
£800
Dawn at Luxor 2010/2011
Watercolour
40 x 104cm
£2,500
Deux Viaducs 1992
Watercolour
53 x 73cm
£3,000
Ditch and trees 2017
Watercolour
45 x 76cm
£2,735
Early autumn, Chappel Viaduct 2007
Watercolour
125 x 150cm
£15,000
Fallen Trees, Dooley’s Field 2018
Watercolour
76 x 56cm
£3,400
Footpath to Flatford Mill 1 3/4 miles 2018
Watercolour
60 x60cm
£2,880
Greenwich Power Station 2017
Watercolour
100 x 50 cm
£4,000
Gulls on Groynes 2019
Watercolour
40 x 60cm
SOLD
John Deere Tractor 2016
Watercolour
60 x 89cm
£4,275
Lane Road, Wakes Colne 2008
Watercolour
100 x 130cm
£10,400
Oak in winter 2016
Watercolour
122 x 122cm
£12,000
Railway underbridge near Manningtree 2019
Watercolour
67 x 51cm
£2,735
Rue Boileau, Peret 2017
Watercolour
75 x 60cm
£3,600
Rue Courtaine, Peret 2017
Watercolour
74 x 49cm
£2,900
Salisbury Cathedral, West Façade 2017
Watercolour
122 x 92cm
£8,980
Scrub 2019
Watercolour
84 x 64cm
£4,300
Sunset (I) 2019
Watercolour
27 x 40cm
£865
Sunset (II) 2019
Watercolour
27 x 40cm
SOLD
Sunset with Viaduct 2019
Watercolour
25 x 40cm
SOLD
Sunset, Walberswick 2019
Watercolour
90 x 60cm
£4,320
The bottom of my garden 2004
Watercolour
150 x 150cm
£18,000
Towards Sizewell 2019
Watercolour
39 x 59cm
£1,920
Under Clacton Pier 2017
Watercolour
75 x 50cm
£3,000
View from an upstairs window 2019
Watercolour
53 x 60cm
£2,545
Woodpile beneath the bridge 2019
Watercolour
55 x 55cm
£2,420

Foreword

Władysław Mirecki or Waj to his friends, was born to Polish parents in Chelmsford in 1956. He paints mostly Essex landscapes. In fact, he paints things that people who favour certain types of installation art probably wouldn't think of as cutting- edge. People who know the beauty of Essex and the wider East Anglian countryside, however, will recognise the quality of Mirecki's defiantly coherent work. It sells, of course.

Waj, a completely self-taught artist, has never not painted. When he says: “I never went to art school,” the statement carries an air of mystification, almost as if he were talking about a strange club in some distant city of which he'd heard, yet had never felt the urge to visit. Despite being regarded as 'good at art', instead he gained a science degree, later moving on to industrial design in London. Terribly unhappy there, after a while, whilst still in his twenties, he fled the metropolis in order to “take up the brush.” Returning to Essex in the 1980s, he became a labourer, laying tracks for the Chappel Railway Museum and settling down there to paint the landscape.

For here were the rolling contours of the West Colne Valley. The place has everything a traditional English landscaper might desire: a winding river and acres of fecund farmland with tree-lined country lanes, all straddled by a stunning Victorian railway viaduct. For over three decades the artist has followed the changing seasons with the persistence of a particularly obsessive stalker. From the buttercupped spring meadows, into the deep green hollow-ways of summer woodland,he takes us back out, to the glacier-mint light of winter fields. His landscapes are nearly all un-peopled. Waj will tell you that this is because the countryside nowadays is mostly empty. He wanted to paint his immediate locale and reckons it took him a decade before his work began to do the landscape justice. His paintings are realistic, although un-blighted by any sterile photographic quality. The artist doesn't over-idealise his subjects. Where, for instance, a road encroaches upon one of his landscapes, he includes its markings and yellow lines. In years to come, such things will tell the viewer as much about the countryside in the early 21st century as a Constable painting does about the early 19th. The influences of John Constable and John Atkinson Grimshaw, remain present in Waj Mirecki's work, like two wardens patrolling a deserted country park.

Of recent years, Waj has taken to occasional studies of urban or industrial sites. These places with their wire and concrete, sometimes take on a wildness of their own. They seem even more alien for providing within their structure the only evidence of the people who built them. In more recent years, the artist has painted on the coast:not only the pretty dunes and houseboats of coastal Suffolk, but Clacton, a rugged old Essex seaside resort perched on the fleece of the cold North Sea.

Władysław Mirecki's work frequently concerns itself with sites once used for work. It successfully conveys the eerie beauty of such places, long after their labourers have gone and nature has taken over. The great secret here, however, is that Mirecki's seemingly unpopulated paintings are nothing of the sort. Because you, the viewer are always included in them. And the artist is standing right there beside you.

by Martin Newell

Władysław Mirecki

15 Colchester Rd Chappel Essex CO6 2DE 01206 240326; info@chappelgalleries.co.uk; www.chappelgalleries.co.uk

1956 Born Chelmsford, Essex of Polish parents. He is self-taught, having painted all his life including periods gaining his science degree at Kingston Polytechnic, London (1975-78); as an industrial designer and co-proprietor of Chappel Galleries (1986 – ).

Exhibited

1988 New English Art Club, Mall Galleries, London

1989 Epping Forest District Museum “Artists in Essex”

1989 Beecroft Art Gallery, Westcliffe on Sea, Essex 31st Open Exhibition

1990 Chappel Galleries, Essex Solo Exhibition

1991 Foyles Art Gallery, London

1992 Department of Transport Art Competition, Mall Galleries, London

1992 Deuxieme Salon Biennale de L’Aquarelle, Hirson, France (Chelmsford 1993)

1996 Chappel Galleries, Essex10th Anniversary Exhibition: Solo Exhibition

1997 Singer and Friedlander, Sunday Times Exhibition, London

1997 Beecroft Art Gallery, Essex: Open Exhibition

1998 Chappel Galleries, Essex: Solo Exhibition

1999 Jiangsu Provincial Art Gallery, Nanjing, China: Solo Exhibition

1999 Chappel Galleries, Essex Solo Exhibition

2002 Chappel Galleries, Essex Blyth Spirit “Walberswick Artists 1880-2000

2003 Chappel Galleries, Essex: Solo Exhibition

2003 WH Pattersons, London Christmas Mixed Exhibition

2004 Royal Academy, London Summer Exhibition

2004 WH Pattersons, London Christmas Mixed Exhibition

2004 Dove’s Barn, Suffolk

2006 Chappel Galleries, Essex: Solo Exhibition

2007 Royal Watercolour Society Open Competition, Bankside Gallery, London

2007 Royal Institute of Painters in Watercolours, Mall Galleries, London

2007 Royal Society of British Artists Annual Exhibition Mall Galleries, London: Winner of the Edward Wesson Award.

2007 Beecroft Art Gallery, Westcliffe on Sea, Essex 49th Essex Open Exhibition: Awarded Prize and Shirley Robson Bowl for the best watercolour

2007 Chappel Galleries, Essex ‘Southwold, the East Coast’

2007 Sunday Times/Kaupthing Singer & Friedlander Watercolour Competition, The Mall Galleries, London: 3rd Prize Winner

2007 Lynn Painter-Stainers, London

2007 Chichester Open Art Exhibition, Chichester

2007 Royal West of England Academy 155th Autumn Exhibition, Bristol

2007 New English Art Club, The Mall Galleries, London

2008 RWS/Sunday Times Watercolour Competition, Bankside Gallery, London

2008 Lynn Painter-Stainers, London (third prize winner)

2009 Chappel Galleries, Essex: Solo Exhibition

2009 Lynn Painter-Stainers, London

2010 Royal Institute of Painters in Water Colours 198th Annual Exhibition: The Mall Galleries, London

2010 Eastern Open, King’s Lynn Arts Centre

2010 The Sunday Times Watercolour Competition’s 23rd Year (2nd prize winner): The Mall Galleries, London

2010 Duncan Campbell Fine Art, London: Solo Exhibition

2011 Exhibition at Handelsbanken, Colchester; celebrating their new branch.

2011 Sunday Times/Smith Williamson Watercolour Competition 2011: The Mall Galleries, London

2011 Discerning Eye Exhibition: Mall Galleries, London

2012 Piers Feetham Gallery, London: Solo Exhibition

2012 Lyn Painter-Stainers, The Mall Galleries, London

2012 Chappel Galleries, Essex: Solo Exhibition

2012 Norwich Castle Open Art Show

2013 Chelmsford Borough Museum: Two Man Exhibition with Paul Rumsey

2013 Studio Eleven, Westcliff on Sea, Essex: ‘Kiss the Joy’ mixed exhibition

2013 Royal Society of British Artist, Annual Exhibition: The Mall Galleries, London (invited Artist)

2014 March 1st-30th ‘…just as it is…’ Chappel Galleries, Essex: Solo Exhibition

2014 September Sunday Times/ Smith Williamson Watercolour Competition: The Mall Galleries, London and touring

2015 Lyn Painter-Stainers: The Mall Galleries, London 16th to 21st February 1st prize winner

2015 Piers Feetham Gallery, London: Solo Exhibition 19th March to 11th April

2016 The Arborealists: St Barbe Museum and Art Gallery, Lymington, Hampshire

2017 John Russel Gallery, Ipswich, Suffolk: Solo Exhibition

2017 The Arborealists: Nature in Art Museum Art Gallery,Twigworth, Gloscester

2017 The Arborealists: Les Dortoirs des Moins, St Benoit, Poitiers, France

2018 March 3rd – 1st April Chappel Galleries, Essex: Solo exhibition

2018 The Arborealists: John Davies Gallery, Moreton-in-Marsh June dates tba
Black Swan Arts, Frome 20 July – 2 September
St Ives Society of Artists 29 September – 24 November

2019 Les Arborealistes: Collegiate Saint-Croix, Loudin

2019-2020 Arborealists at the National Memorial Arboretum, Alrewas, Staffordshire

Collections

1989 Essex County Council

1999 Jiangsu Province Art Museum, People’s Republic of China

1999 Jiangsu Province Department of Culture, People’s Republic of China

2000/09 Chelmsford Museums, Essex

2000 Ipswich Borough Council Museums & Galleries, Suffolk

2012 Colchester and Ipswich Museums (on behalf of Colchester Borough Council)

2016 Beecroft Art Galley/Southend on Sea Museum, Essex

2016 Our Lady Immaculate, Catholic Primary School, Chelmsford, Essex

2018 Fitzwilliam Museum, Cambridge

2019 National Railway Museum, York

Publications

2000 February Edition, Jiangsu Art Monthly

2000 April Edition, Artists & Illustrators Magazine

2003 ‘A Walk in the Country’: Introduction by Richard Scott – 32pp Monograph, Published by Chappel Galleries, Essex

2006 “Southwold: An Earthly Paradise” by Geoffrey Munn.

2006 Wladyslaw Mirecki at Fifty: Introduction by Simon Frazer – 32pp Monograph, Published by Chappel Galleries, Essex

2006 BBC Television Programme: ‘Seven Man-made Wonders of the East’ featuring, Mirecki and his paintings of Chappel Viaduct

2003 2009 ‘On My Doorstep’: Introduction by Laura Gascoigne published by Chappel Galleries, Essex

2009 The Spectator “Winter Fine Arts” by Andrew Lambirth November issue

2009 Jackdaw Magazine “Easel Words” May/June issue

2009 The Artist Magazine “Masterclass” November issue

2009 Pratique des Arts, France issue no. 89 November 2009 – feature.

2010 Duncan Campbell exhibition brochure: Introduction by Andrew Lambirth

2012 Jackdaw Magazine Jan/Feb 2012 page 36 : News ‘That Beckham Tattoo’

2012 ‘Closely Observed’ Landscape – East Anglia and Beyond: Introduction by Andrew Wilton published by Piers Feetham Gallery, London.

2012 Lynn Painter Stainers catalogue page 11 ‘Holme Valley, Yorkshire’

2012 ‘Around and About: Introduction by David Lee editor of ‘Jackdaw’ published Chappel Galleries, Essex.

2014 ‘…just as it is…’ Introduction by Mark Curteis, Curator Chelmsford Museum, published by Chappel Galleries, Essex

2015 ‘New Landscape Watercolours’ Introduction by Andrew Lambirth, published by Piers Feetham Gallery

2016 The Arborealists – The Art of the Tree Introduction by Tim Craven, curator Southampton City Art Gallery published by Sansom & Co.

2017 Les Arborealists L’art des arbres

2018 “…Stand stable, here / And silent be…”: Introduction by Frances Spalding 32pp Monograph Published by Chappel Galleries, Essex

2018 2018 The Arborealists and other Painters, John Davies Gallery, Gloucestershire